Awards
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How ‘Succession’ Stuck the Landing: 3 Emmy-Nominated Directors Tell All
TheWrap magazine: Mark Mylod, Lorene Scafaria and Andrij Parekh reflect on dramatizing the ultra-wealthy elite in the midst of a Hollywood reckoning
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The January Emmys: A Guide to Just How Confusing They’ll Be
Some Emmy nominees won’t be eligible for awards like the Critics Choice and Golden Globes, while others will be up for different seasons
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How ‘Top Chef’ Cast the Best of the Best for Its ‘World All-Stars’ Season
TheWrap magazine: Some cheftestants took convincing while others were an easy yes, casting director Ron Mare says
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John Oliver’s in a New Category — But Strikes Keep His Former Emmy Talk Show Competitors From Taking Advantage
The guy who always won has moved, but the nominees can’t campaign for the empty throne
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What Lena Waithe Learned From Mary Tyler Moore: ‘I Was Inspired to Write Timeless Television’
TheWrap magazine: The “Master of None” star served as one of the producers on the Emmy-nominated documentary “Being Mary Tyler Moore”
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‘Moonage Daydream’: What Quadruple Emmy Nominee Brett Morgen Borrowed From David Bowie
TheWrap magazine: “We were trying to use Bowie’s methods for creation to construct a movie about David Bowie,” the director says
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Seth Meyers Is Embracing the Confidence of ‘Late Night’: ‘If a Joke Bombs, Just Talk About How It Bombed’
The talk show host tells TheWrap about finding comfort in the looseness of “Late Night with Seth Meyers”
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‘Ted Lasso’: How Its Emmy-Nominated VFX Team Fills Those Stadiums
TheWrap magazine: “We had 258 shots of football to turn over and a lot of other visual effects shots as well,” supervisor James MacLachlan says
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‘The Problem with Jon Stewart’ Technical Director Dave Saretsky Explains His Unique Job
The multi-Emmy winner, nominated again this year, also shares the feeling he gets while overseeing a viral segment
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Jeff Probst Tries to Explain Why ‘Survivor’ Got an Emmy Nomination After a 17-Year Shutout
TheWrap magazine: The show is finally back in the Outstanding Reality Competition Program category for the first time since 2006
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How ‘George & Tammy’ Made Things Personal With Live Performances From Michael Shannon and Jessica Chastain (Exclusive Video)
“We wanted to find a visual language that would represent their struggles,” Emmy-nominated cinematographer Igor Martinovic says
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‘Life Below Zero,’ ‘Secrets of the Elephants’ and ‘The Territory’ DPs Keep National Geographic Dominating the Emmys
TheWrap magazine: The trio of nonfiction projects represent powerful, vastly different examples of the network’s advocacy-forward programming
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How ‘Top Chef’ Pulled Out All the Stops for Its Milestone 20th Season
TheWrap magazine: The Bravo culinary competition went international for its anniversary season, and that complicated things
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How Joni Mitchell’s PBS Special Captures the New Voice of a Musical Icon
TheWrap magazine: “It’s nothing short of a miracle that she’s back to where she is,” Emmy-nominated musical director Greg Philinganes says
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How ‘Still: A Michael J. Fox Movie’ Kept Things Short and Bittersweet
“Michael had one rule for us. No violins,” Emmy-nominated editor Michael Harte tells TheWrap
