Chase Hutchinson is a film and TV critic for TheWrap and has written for the publication since 2024. He is a member of the Seattle Film Critics Society (SFCS).
Experience:
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‘Drunken Noodles’ Review: This New York Story of Sex and Art Sneaks Up on You
Cannes 2025: Lucio Castro’s small-scale drama of sex and connection has something surprising lurking underneath
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‘Woman and Child’ Review: Parinaz Izadyar Gives a Powerful Performance in Unrelentingly Painful Drama
Cannes 2025: What begins as a more intimate story of an Iranian family takes a devastatingly tragic turn
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‘Planètes’ Review: Delightful Animated Odyssey Finds Hope in Nuclear Armageddon
Cannes 2025: Director Momoko Seto takes you on an interstellar trip with a group of seeds in search of a new home after Earth is obliterated
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‘Sentimental Value’ Review: Joachim Trier Reteams With Renate Reinsve for His Best Film Yet
Cannes 2025: Art and family are at the center of the “Worst Person in the World” filmmaker’s latest, co-starring Stellan Skarsgård
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‘Fuori’ Review: A Goliarda Sapienza Biopic That Fails to Do Her Justice
Cannes 2025: The story of this iconic Italian actress and writer deserves to be told with more depth than this
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‘Alpha’ Review: Julia Ducournau’s Mournful Horror Drama Cuts Through Body and Soul
Cannes 2025: The director of “Raw” and “Titane” is back with a knockout that defies expectations
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‘Urchin’ Review: Harris Dickinson’s Directorial Debut Is a Devastating, Delicate Drama
Cannes 2025: Frank Dillane gives the best performance of the festival thus far in Dickinson’s addiction story
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‘Nouvelle Vague’ Director Richard Linklater Dumps On Trump Tariff Threat, Gushes Over Godard: ‘He Had Such An Interesting Brain’
Cannes 2025: Linklater isn’t worried about Trump’s proposed tariffs on movies that don’t shoot in the U.S.: “That guy changes his mind like 50 times in one day”
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‘Die, My Love’ Star Jennifer Lawrence Says She Was Heartbroken By Postpartum Story: ‘It’s Extremely Isolating’
Cannes 2025: The actress said “extreme anxiety and extreme depression is isolating no matter where you are” at a Cannes press conference
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‘Die, My Love’ Review: Robert Pattinson and Jennifer Lawrence Are Outstanding in Haunting Domestic Horror
Cannes 2025: Lynne Ramsay’s adaptation of the novel by Ariana Harwicz is frequently astounding
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‘Dangerous Animals’ Review: Jai Courtney Is a Joyous Maniac in ‘Jaws’-Meets-‘Psycho’ Horror Film
Cannes 2025: We’re gonna need to get off this serial killer’s boat
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‘A Useful Ghost’ Review: Davika Hoorne Is a Spectacular Supernatural Vacuum in Bold Drama
Cannes 2025: Writer/director Ratchapoom Boonbunchachoke’s feature debut is a wondrous festival discovery that’ll stick with you
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‘The Chronology of Water’ Review: Kristen Stewart’s Expansive, Evocative Work of Cinematic Poetry
Cannes 2025: Imogen Poots gives a career-best performance in this bold adaptation of Lidia Yuknavitch’s 2011 memoir
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‘Left-Handed Girl’ Review: Shih-Ching Tsou and Sean Baker Make a Bittersweet Family Dramedy
Cannes 2025: This winning feature proves Shih-Ching Tsou is a talented filmmaker in her own right
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‘Death Does Not Exist’ Review: Stunning but Slippery Animated Feature Confronts Love in the Shadow of Death
Cannes 2025: Félix Dufour-Laperrière’s film is an intentionally murky meditation on mortality and survivor’s guilt
